Adrien Trybucki

Anamorphein works like an engraving by Maurits Cornelis Escher, exploring illusion and sound perspective by examining how a material transforms depending on the listening angle. The keyboard trio forms a moving surface, with variable geometry, where each motif imperceptibly slides into another shape, another space. What first seems linear distorts, reverses, and overlaps. Like an impossible staircase, the musical discourse rises while descending, transforms through repetition, until temporal and harmonic references become blurred. The instrumental dialogue becomes an acoustic labyrinth, made of illusions, bifurcations, and vanishing points without resolution.