Adrien Trybucki

Forming the second part of a diptych with Les étoiles d’évaporent, Lueurs réminiscentes adds an electronic part to the percussion trio while creating a kind of negative of the first scene. The abundance of sounds and the rapidity of the pulses leave the stage space to find a place in electronics, echoing one of the first photographs in history, boulevard du Temple in Paris, where the moving crowd was not captured by the daguerreotype due to a long exposure time. It is, in a metaphorical way, about reproducing here this articulation between stillness and movement, questioning the boundary between acoustic and electronic sounds, merging into a halo that slowly unfolds.