Adrien Trybucki

The Korean tradition of Sanjo offers a sophisticated assembly of melodic and rhythmic elements whose roots come from the union of a vocality turned instrumental and a polyphonic improvisation reduced to the pure singularity of the soloist. In this paradoxical universe, the juxtaposition of rhythms and meters, sealed with the idea of tension as a guiding thread, is fragmented here into a myriad of shards that respond to each other, overlap, and draw a broken temporality. The duo is a slow transformation with relentless accents and sometimes unexpected inflections, a memory gradually altered by time, endlessly whispered by clocks turned chaotic.