Adrien Trybucki

Séquelles d’instants weaves a distorted memory, where the clarinet reactivates sonic fragments projected into a fragmented space. Electronics intervene only through gentle touches, like a shadow cast over the acoustic material; sometimes absent, sometimes mimetic, they act as a double ghost, blurring the line between what is played and what is reconstructed. The sonic material is built in layers of echoes: not a mirror, but a chamber of shadows where from past fragments only traces remain. Over time, these residues aggregate and blur, eventually forming a memory that refers only to itself.